One of the best aspects of The Madison is the Paramount+ drama’s striking visual style. Taylor Sheridan series are known for their look, yet this show is even better than usual. Behind the camera is Christina Alexandra Voros, who serves as not only director for all six episodes but also director of cinematography.

In an interview, Voros spoke about her longtime collaboration with Sheridan and how she crafted the look of The Madison. She revealed what she applied from her episodes of Yellowstone and its prequel 1883 to the new series. Plus, what was it like for her to singlehandedly direct an entire TV season?

Brittany Frederick: How did you approach The Madison knowing that you weren’t just setting the visual tone with the pilot, but directing the entire season? Was that a blessing or did it create an additional challenge?

Christina Alexandra Voros: It’s a blessing. To be given the opportunity to tell a story over six hours of television, and to be able to be given scripts written by Taylor—who has been a collaborator and a big brother to me for the last seven years—was a gift on its own. And then you add the cast, Kurt [Russell] and Michelle [Pfeiffer] and everyone in the Clyburn family; it was really a dream come true.

Read the rest of this interview at Fangirlish.

The Madison streams Saturdays on Paramount+. Photo Credit: Courtesy of Paramount+.

Article content is (c)2020-2026 Brittany Frederick and may not be excerpted or reproduced without express written permission by the author. Follow me on Twitter at @BFTVTwtr and on Instagram at @BFTVGram. For story pitches, contact me at tvbrittanyf@yahoo.com.